Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
王李丹鈮,丁海峰,李国麟,杜玉明,徐光宇,韩三明
Kelsey Christian,Bonnie Jean Tyer,Maria Olsen
帕莱什·拉瓦尔,萨基尔·侯赛因,阿姆鲁塔·可汗维卡尔,纳米特·达斯,Sneha Wagh
結城貴史,田边桃子,尾野真千子,蒙·康菲多,BUBOY VILLAR JR.,LESLEY LINA,LOU VELOSO,MANNY PACQUIAO
杰森·斯坦森,博德希·蕾·布里纳希,娜奥米·阿基,比尔·奈伊,迈克尔·谢弗,安娜·克里里,哈丽特·瓦尔特,尤吉尼亚·克鲁索,席琳·邦金斯,巴利·吉尔,布隆森·韦伯,劳伦特·布松,布莱恩·维吉尔,罗代赫·芬德利,瑞恩·弗莱彻,托米·梅,安斯克·皮特坎恩,丹尼尔·梅斯,索菲安·弗朗西斯,凯·马丁,汤姆·吴,比利·克莱门茨,戈登·亚历山大,亚当·柯林斯,庄·斯雷尔,史蒂文·布拉德斯
李京沐 李若宁 张子栋 于月仙 秦卫东 王双宝
魏小欢,张博楠,马畅,刘冰
Gippy·Grewal,Nimrat·Khaira,Apinderdeep·Singh
朴惠珍,普里扬卡·阿鲁莫汉
玛格特·罗比,雅各布·艾洛蒂,周洪,艾莉森·奥利弗,沙扎德·拉蒂夫,马丁·克鲁勒斯,伊万·米切尔,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林顿,欧文·库珀,薇·阮,米莉·肯特,薇琪·佩珀代因,保罗·瑞斯,Robert Cawsey,加布里埃尔·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman
卡皮尔·夏尔玛,Manjot Singh,Hira Warina,特里妲·乔杜里,Paul Galanti,Ayesha Khan,特里普蒂·迪姆里,莎纳亚·卡普尔
方灿,李旻浩,徐彰彬,黄铉辰,韩知城,李龙馥,金昇玟,梁精寅
Orelsan,Clara Choï,Gringe
Jourdy Pranata,Beby Tsabina,Kevin Julio
桑亚·玛荷塔,Joshi Anantvijay,维贾伊·拉齐,拉兹巴·亚达夫,Neha Saraf,Gurpal Singh,布里杰德拉·卡拉,Ambrish Saxena,Apoorva Chaturvedi,Govind Pandey,Shashi Ranjan,拉格胡维尔·亚达夫,Namrata Dhamija,Shashie Vermaa,Megha Shukla,Dherendra Ku
Bhushaan Manoj,Suraaj Suman,Jayshri Jagtap,Nitin Bansode,Harish Baraskar,Ram Daund,Vidya Joshi,Hemant Kadam,Rani Kasliwal,Vaishali Kendale,Pratiksha Kote,Sandhya Pawase,Hitesh Porje
Slim Baccar,桑杜斯·哈桑,Eya Bellagha,Maya Blouza,穆罕默德·格拉亚,Lassaad Jamoussi,Saoussen Maalej,Lobna Noomene
白澍,梁婧娴,姜震昊,黄羿,王景灏
Orelsan,Clara Choï,Gringe
崔智友,高东河