Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a copLarry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narrationvoice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppieviolence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.
王李丹鈮,丁海峰,李国麟,杜玉明,徐光宇,韩三明
Kelsey Christian,Bonnie Jean Tyer,Maria Olsen
帕莱什·拉瓦尔,萨基尔·侯赛因,阿姆鲁塔·可汗维卡尔,纳米特·达斯,Sneha Wagh
結城貴史,田边桃子,尾野真千子,蒙·康菲多,BUBOY VILLAR JR.,LESLEY LINA,LOU VELOSO,MANNY PACQUIAO
杰森·斯坦森,博德希·蕾·布里纳希,娜奥米·阿基,比尔·奈伊,迈克尔·谢弗,安娜·克里里,哈丽特·瓦尔特,尤吉尼亚·克鲁索,席琳·邦金斯,巴利·吉尔,布隆森·韦伯,劳伦特·布松,布莱恩·维吉尔,罗代赫·芬德利,瑞恩·弗莱彻,托米·梅,安斯克·皮特坎恩,丹尼尔·梅斯,索菲安·弗朗西斯,凯·马丁,汤姆·吴,比利·克莱门茨,戈登·亚历山大,亚当·柯林斯,庄·斯雷尔,史蒂文·布拉德斯
李京沐 李若宁 张子栋 于月仙 秦卫东 王双宝
魏小欢,张博楠,马畅,刘冰
Gippy·Grewal,Nimrat·Khaira,Apinderdeep·Singh
朴惠珍,普里扬卡·阿鲁莫汉
玛格特·罗比,雅各布·艾洛蒂,周洪,艾莉森·奥利弗,沙扎德·拉蒂夫,马丁·克鲁勒斯,伊万·米切尔,艾米·摩根,杰西卡·奈佩特,夏洛特·梅林顿,欧文·库珀,薇·阮,米莉·肯特,薇琪·佩珀代因,保罗·瑞斯,Robert Cawsey,加布里埃尔·比塞特 - 史密斯,Louie Benjamin Potts,Treyston Braine,Jaydon Eastman
卡皮尔·夏尔玛,Manjot Singh,Hira Warina,特里妲·乔杜里,Paul Galanti,Ayesha Khan,特里普蒂·迪姆里,莎纳亚·卡普尔
方灿,李旻浩,徐彰彬,黄铉辰,韩知城,李龙馥,金昇玟,梁精寅
Orelsan,Clara Choï,Gringe
Jourdy Pranata,Beby Tsabina,Kevin Julio
桑亚·玛荷塔,Joshi Anantvijay,维贾伊·拉齐,拉兹巴·亚达夫,Neha Saraf,Gurpal Singh,布里杰德拉·卡拉,Ambrish Saxena,Apoorva Chaturvedi,Govind Pandey,Shashi Ranjan,拉格胡维尔·亚达夫,Namrata Dhamija,Shashie Vermaa,Megha Shukla,Dherendra Ku
Bhushaan Manoj,Suraaj Suman,Jayshri Jagtap,Nitin Bansode,Harish Baraskar,Ram Daund,Vidya Joshi,Hemant Kadam,Rani Kasliwal,Vaishali Kendale,Pratiksha Kote,Sandhya Pawase,Hitesh Porje
Slim Baccar,桑杜斯·哈桑,Eya Bellagha,Maya Blouza,穆罕默德·格拉亚,Lassaad Jamoussi,Saoussen Maalej,Lobna Noomene
白澍,梁婧娴,姜震昊,黄羿,王景灏
Orelsan,Clara Choï,Gringe
崔智友,高东河